VERTIGO (1958) turns obsession into a visual pattern. Spirals keep returning in Saul Bass’ titles, the staircase, the camera movements and even Madeleine’s hair, as if Scottie can never escape the same thought. · XDL
VERTIGO (1958) turns obsession into a visual pattern. Spirals keep returning in Saul Bass’ titles, the staircase, the camera movements and even Madeleine’s hair, as if Scottie can never escape the same thought.
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